Richard Pryor Is It Something I Said Cd Cover Art
...Is Information technology Something I Said?
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Type | Album | |
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Released | 25 July 1975 | |
Recorded | 26 May 1975 | |
RYM Rating | ||
Ranked | #2,118 for live | |
Genres | Stand-Upwardly Comedy | |
Descriptors | vulgar, male vocals, surreal, humorous, witting | |
Language | English | |
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A2 Shortage of White People 1:21
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B1 Mudbone - Little Feets 11:50
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B2 When Your Woman Leaves You 6:28
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B3 The Adept Night Kiss i:46
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B4 Women Are Cute 0:51
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B5 Our Text for Today iii:42
- Total length: 47:25
Catalog
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To rate, slide your finger across the stars from left to right.
- David Banks
producer - Jack Curtis
emcee - Biff Dawes
engineer - Rudy Hill
editing, remixer - Richard Pryor
writer, performer - Ed Thrasher
fine art management, blueprint, photography
The Mudbone fleck runs a flake long but information technology features moments of true genius and the rest of the album is predictably solid. Not as essential as "Live In Concert" or "That Nigger's Crazy" but still highly recommended to all Pryor fans.
Published
Pryor isn't my very favourite stand-up (that has to be Stewart Lee at this bespeak, I reckon), although he is certainly meridian five if not top three, but when I listen to this album I can't help thinking he may have been the naturally funniest person always born.
Published
Richard Pryor's second comedy LP for Warner Bros., ...Is It Something I Said?, is nowhere near as consistent every bit the wildly successful That N-----'due south Crazy. The shorter $.25 lack any substantive theses, though they possess some often hilarious anecdotes. However, when we reach the album's centerpieces, "Mudbone (Intro)" and "Mudbone: Little Feets," Pryor'south talents on full brandish, creating a character with a compelling narrative vocalisation that taps straight into the folklore of African American culture (including the Great Migration north and Hoodoo). The album wonderfully concludes with Pryor'south faux of a black preacher, reading from "The Book of Wonder," i.e. Stevie Wonder's "Living for the Urban center," as he compares the differences between the black and white church building in America. While Pryor is non at the peak of his craft on this LP, nigh fans of comedy will detect enough to like here.
Published
MSK 2285 Vinyl LP (1975)
The second installment in what I believe to be Richard Pryor'southward social trilogy of genius. A little more than refined than That Ni**er'due south Crazy, complete confidence spews from the man, and the audience is more than happy to be owned. The black and white comparisons are more arable here, black preachers, cocaine, and Mudbone. 9.2 A
By ...Is Information technology Something I Said?, Pryor was a juggernaut.
Miles away from where the man was in the lx's and early 70's, this must be what complete growth sounds like.
Pryor's humbleness displayed on That Ni**er's Crazy is completely gone, this is Pryor unleashed.
Published
Pryor'south racial textile here is blistering as usual in that whimsical style that's 100% his ain. It's beautifully constructed and, xxx-five years afterward, is as fucking fresh equally greens from the farmer's market. The role-playing bits ("Eulogy", the looooong Mudbone material) haven't anile equally well to my battered brain, but the New Jersey audience are laughing their asses off then maybe I just don't get it. That'due south how good Pryor is. When I don't get something, I automatically presume information technology's MY fault rather than his.
Published
Cocaine is just class, mudbone is the legend that information technology is because whatever cultural impression Pryor ever did was true to the center and funny, plus the other stuff is kinda ebonic but funny. Good stuff.
Published
Absolutely amazing, "Mudbone" is epic.
Published
Comedy albums are fascinating things. Every bit time capsules for what people plant funny during a certain fourth dimension frame they piece of work quite well. By and large speaking, though, what people establish funny thirty years ago isn't what people find funny today. And then, as lasting sources of amusement, they don't work nigh as well as musical albums. There are rare exceptions, though. Some comedy albums stand upwards for a lot longer than others. ". . . Is It Something I Said?" is one such album. I think the long term success comes from the extremes that Richard Pryor was willing to get to for a laugh. The things he says are still shocking. He goes style out of bounds for a laugh. The humor comes from a combination of his delivery and the shock that he actually went as far out every bit he did. It worked in the seventies and it all the same works today. It might be even more constructive today given our modernistic hang ups. You don't fifty-fifty accept to heed to anything from this album got go a feel for that, just await at the encompass. It's a chip out in that location, correct? This tape contains i of my all-time favorite jokes, the two men on the bridge.
Published
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